Fading with Time

(Iram Mahmood, Lahore)

Life today is quite different from what it was when our parents were children just two or three decades ago. There used to be snake charmers, the candyman and the chooranwala who could be seen walking around in neighbourhoods very often, and children played games like chhuppan chhuppai (hide and seek) and aankh macholi, pithoo, etc.

Sadly, you guys are not too familiar with these games that have been traded for Playstation and games that can be played on the internet, and do not get to enjoy street performances by snake charmers, monkeys or maybe a bear. In this fast-paced age, there are also some professions which are on the verge of becoming extinct, if they have not altogether disappeared from big cities.

Snake charming
Historically, the earliest evidence of snake charming can be traced to the Egyptians. Till the early 1990s, it was quite normal to see snake charmers wandering in the streets with their colourful bulging bag hanging on their shoulder. Their serpents were in baskets or pots hanging from a bamboo pole slung over the shoulder.

These charmers usually wore very colourful attire, comprising a turban and long kurta and had mostly long and curly hair. Necklaces of shells or large beads and earrings would make their personality even more mysterious. They usually attracted people’s attention by playing a special flute-like instrument made from gourd, known as ‘been’.

Once a sizable crowd had gathered, the snake charmer would play the flute and a snake eventually emerged from the cane or straw basket. It is commonly believed that the snake actually dances to the tune of the flute but in reality, the snake can’t hear anything. It actually moves with the motion of the flute that the charmer moves while playing it.

Baba Kamesha, a 60-year-old snake charmer, has been in this profession for the past 20 years. It is his family profession and even the children in his family are involved in it.

Kamesha learnt all about snakes, which he calls saanpon ka ilm, from his master Log Bengali. He disclosed that a snake charmer keeps wandering — visiting villages, towns and cities and also spends years in desserts and jungles to search for serpents. Kamesha got his snake from Balochistan’s desert.

“An inexplicable relationship exists between a snake and its charmer, the jogi,” Kamesha confesses. According to him, a snake never hurts its master; and the master, for his own part, is not scared of being bitten by the snake, even poisonous ones. And in case of a snake bite, the jogi uses traditional remedies to treat himself and keeps a white mysterious powder in his pocket which he applies instantly on the bitten area. These days, snake charming has almost vanished because no one is really interested in watching a poor man’s art and his serpent’s performance.

Monkey performance
No one really knows who first captured a monkey from the wild and taught it tricks.

A gypsy trains his monkey to perform different acts such as mimicry and acting upon different commands of the trainer. These days one can only find these gypsies around some tourist spots and few children get to watch the amazing acts of these naughty, but cute animals.

However, it does feel bad to see the poor creatures leading a captive life in the urban jungle but the monkey owners claim that they look after their animals very well because it is through these animals that they earn their living.
The horse cart

The horse cart has been a popular mode of transport since ages. Once beautifully adorned, a symbol of superiority and nobility, these buggies were used by kings and queens throughout the world. However, with advancement in vehicular modes of transport, the rich abandoned this vehicle and commoners started using it. With the passage of time and advent of motorised vehicles on the road, horse drawn carriages are now nearly extinct.

“It is no more a lucrative business for the younger generation,” says 50-year-old Anwar, who has been riding a horse carriage for 25 years. The poor fellow provides pick and drop service to schoolchildren in the old part of Karachi. The man sadly adds, “Although a ride on a horse carriage still fascinates children, business is not lucrative for many in this technological age.”

But horse carriages aren’t extinct completely – they have been modified to suit changing trends. The boom in the business of wedding planning and event management has seen a slight increase in demand of decorative carriages for weddings and other functions.

Urdu calligraphy
Calligraphy is another profession which has been fading away in the present digital age. It’s an art which requires artistic skills to develop a masterpiece. A calligrapher uses qalam (a reed pen) and roshnai (a viscous ink) to transform the simple letters and words of Urdu into beautiful ones. The art of Urdu calligraphy has evolved from the Arabic calligraphy and it was the Mughals who patronised it in the subcontinent and gave it the status of a noble profession.

Computers, with advance software, have taken the place of the calligraphers to some extent. Many calligraphers believe that the long years of their toil and training in the art has gone waste.

“Earlier, Urdu calligraphy was basically needed to make the headlines of the newspaper more appealing but the onslaught of computerised Urdu fonts has put such calligraphers’ career in jeopardy,” said Syed Tasveeb Hussain Naqvi who has been working as a calligrapher in a local newspaper.

Sixty-five-year-old Naqvi learnt the art from his father who was also associated with the same profession. “Sheer dedication and hard work are needed to transform the words into creative pieces,” he disclosed. However, the experienced calligrapher was still optimistic and added, “Urdu calligraphy can modify itself according to modern technology and so the art will not die.”

Iram Mahmood
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